I am reactive.

Personally, I’ve found that the kind of thing that I like is going into somebody else’s area and not playing their music but doing whatever I do in their area.

I wouldn’t want to be ideological about it but I think of it as being the best way to approach this kind of playing. I don’t think it works in other music, other kinds of playing.

I’m not much into current electronic stuff, what I think of as lounge electronics, mumbling electronics.

Even if it is difficult playing with other people – sometimes it’s great, sometimes it isn’t, but that is kind of the point of it. It loses its point playing solo.

Personally, I’ve found one of the more stimulating ways of playing in recent times has been to kind of move outside the free improvised area and work with people who are probably improvisers but they have a particular way of working.

Solo concerts are murder, I find; I don’t like doing them.

In the absence of that, I am happy to play solo, but I don’t think there is any comparison.

I don’t research anything.

The first Company concert was a single concert with a quartet who all knew each other, although they didn't play together regularly.